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Arnold Phoenix Electro Acoustic 2020, Sensational sounds, timeless class. < Back Arnold Phoenix Electro Acoustic 2020 No Number This is a very rare chance to sample the delights of an Alan Arnold acoustic guitar. Made in very small numbers by an internationally renowned luthier, Alan Arnold, this special Phoenix model is one of the finest he has ever built. This is one a handful he built with the Indian Rosewood body which gives it a lot of presence - all the Phoenix' are loud, but this has an incredible volume acoustically. The bass response is remarkable, but the one property that springs out immediately is the responsiveness. It can whisper, it can know its place in a line-up, but also bang out an amazing solo - your fingers really decide. This is the same plugged in - this is equipped with a Headway pick-up. Only the best for Alan. Tuners are Gotoh 510 in gold. The guitar suits a soloist perfectly - the neck is perfectly shaped for upper fret work. We have this guitar at the Hall now, and it will reside here until the next owner collects, or we ship it out. The guitar comes in a sturdy case and we would pack it with utmost care, and unless the buyer wishes otherwise, use an insured service. Price £4,195 Availability Sold Recommendation Buy as Is Buy to Upgrade Specifications Year 2020 Pick-ups Headway Selector N/A Bridge Ebony Board Ebony Weight N/A Modifications None ← Previous Next→ Latest Videos Play Video Play Video 04:37 Play Video Play Video 03:15 Play Video Play Video 05:58 Play Video Play Video 03:26 Play Video Play Video 02:27 Play Video Play Video 06:20 Play Video Play Video 02:28 Play Video Play Video 04:13

LEFT HANDED Fernandes LC70RR, Time-warp Randy Rhoads model < Back LEFT HANDED Fernandes LC70RR 89022LC Good LC70RRs are becoming quite sought after now, most carry the Burny name and the vast majority will be right handed. We were amazed to see a left handed Fernandes LC-70RR arrive here in its case, and untouched for a few decades. The origin of this rarity is difficult to precisely pin-point, but the highest probability is a Dyna Gakki build, but there is a possibility that it may have been FujiGen - my firm opinion is the former. I am dating this at late September 1988, one of a very small batch of left handed models made for export. The white finish has faded gracefully giving the guitar a timeless look that folk are happy to pay a fortune to replicate. Both Dyna and Fujigen were good enough for Fender to partner up with, and this is evident in the quality of this Fernandes - it feels like it will go on forever. This Randy Rhoads model has just had a thorough recommissioning after a long spell in its case - nothing required beyond routine servicing and a good clean. Inside the control cavity is a serial number of 89022LC, and the pots put this guitar in 1988, possibly 1989 - we are presuming 22nd September 1988. Left handed models were made in very small numbers, and these signature or tribute models even rarer. If there is a left handed Randy Rhoads fan out there who can't spare the £15k to have Gibson make a '74 tribute for you, I think this is as good as it can get. The quality of MIJ from this era is light years ahead of modern day products until you get to several thousand pounds. The pick-ups are original, and read 7.88k each which indicates VH-3 spec (same as John Sykes models). The hardware is in fantastic condition - the evidence of its age requires a very close inspection. The pick-guard retains the Randy Rhoads text - most have been worn away. The locking strap pins are present and correct. An incredibly rare opportunity to play a great spec, great quality, great sounding left handed LP for a fraction of the price of a Gibson. Price £1,995 Availability Sold Recommendation Buy as Is Buy to Upgrade Specifications Year 1988 Pick-ups Gotoh VH-3 Selector 3-Way Bridge Original ToM Board Rosewood Weight 4.24kg; 9lbs 5oz Modifications None ← Previous Next→ Latest Videos Play Video Play Video 04:37 Play Video Play Video 03:15 Play Video Play Video 05:58 Play Video Play Video 03:26 Play Video Play Video 02:27 Play Video Play Video 06:20 Play Video Play Video 02:28 Play Video Play Video 04:13

Fernandes MY-115S, Scratch that Sustainer itch! < Back Fernandes MY-115S No Number This MY115S was one of the really interesting looking signature models. It is the Kiyoshi (Media Youth) model developed from MY95S launched in 1997 and finishing production as the MY-Custom S in 2003, and Kiyoshi was, and still is, a very successful musician in Japan and amongst fans of Japanese modern music. He used this model of guitar in his collaboration with Hide. I bought this in as I knew it would put a smile on Keith's face when he really was up against it towards the end. His comment when I pinged him a photo of it is unbroadcastable however playing it was the second thing he would do to it. As well as the orange half sucked Firebird appearance, the sustainer function was something he was looking forward to experimenting with. Then, a thoroughly good friend of ours took it to write and record with (it's on a few Delicate Giants tracks) and now it had returned to us; it's served its purpose admirably now and this is too useful and decent an instrument to stay here when it should be out plying its trade. As far as I am aware, this model was not routinely available outside Japan and therefore they are a very rare sight. I know of a few in Australia and a couple have been shipped in to USA, but none in UK or Europe. Like the other Artist Series guitars from Fernandes in the era, the guitar is made beautifully - a real professional grade instrument. The body is maple and mahogany, the neck is maple with a nice rosewood board - flat and thin for those virtuosos, and nicely balanced for long stints on stage. The double octave neck feels good at the top and the bottom. The pick-ups are top drawer Fernandes - a VH402 at the bridge and a CD-100F with the sustainer at the neck . The bridge is a Wilkinson VS100 and in perfect condition. Like many of the signature models, the pick-ups are key to the design, and they don't bother with tone controls, so a single volume pot only. The 3 way toggle governs the pick-ups in classic 3-way fashion, and the 2 mini-switches control the sustainer circuit. The farther unit swiches the unit on and off, and the nearer 3 way switch governs the effect - a dynamic setting which responds to your picking strength; a setting that forces through a sustained note and the third setting that forces through an octave above the note you play. It is a sensitive unit unlike some others that can get overpowering and uncontrollable - this one seems to know what you want and lets you calm the effect very well. The guitar is luthier prepared and ready for studio or stage . It will definitely get you noticed! You will see some unfortunate cracking and crazing of the lacquer on the upper horn. According the previous owner, this happened on a flight and not from anything more severe. It is invisible from the first row of the audience and has no bearing on the way this looks and plays. There is a stage-bash on the lower rear back of the body - nothing remotely serious. But if a perfect finish on a 25 year old is critical, please make sure you look at the photos carefully or call us for a video call. This was sold to Glam Rock bonefide Royalty - expect to see it on stage soon. Discretion as always, but this guitar passes from professional to professional, and you could say this has gone "Full Circle". Price £££ Availability Sold Recommendation Buy as Is Buy to Upgrade Specifications Year 2000 Pick-ups Fernandes CD-100F and VH402 Selector 3 way Bridge Wilkinson VS100G Board Rosewood Weight 3.73kg, 8lbs 4oz Modifications None ← Previous Next→ Latest Videos Play Video Play Video 04:37 Play Video Play Video 03:15 Play Video Play Video 05:58 Play Video Play Video 03:26 Play Video Play Video 02:27 Play Video Play Video 06:20 Play Video Play Video 02:28 Play Video Play Video 04:13

Greco SE-600N, California Jam vibes? < Back Greco SE-600N F782908 By 1978, Fujigen was setting the bar for a quality Strat and as CBS accountants were sucking the soul out of Fender, Fujigen was on the up and up. Controversial opinions are that in these years, MIJ was the better guitar - at least more consistent in quality; and certainly more affordable. The Japanese market was still going nuts for demand, and Fujigen capacity was largely being soaked up by domestic demand which is why Grecos were a rare sight outside Japan. The SE-600 was a tribute to the early 70s, whereas the SE-700 harked back to the mid 60s and the SE-800 looked a decade further back. The 500? Well, that was for folk who just wanted a great Strat. It is true that we are missing a bullet rod (the 450 and Super-Real 700s would give you that), but everything else screams 1973, and California Jam. Eagle eyed catalogue experts will equip the 600s with PU-100 pick-ups, but by 1978, Excel PU-119 pick-ups were appearing more and more often in the mid-range guitars - this 600 has a set of sublime PU-119s. A bit more output, and a lot more in the lower frequencies that often cause the comparison with Texas Specials. A Slim C neck profile feels very comfortable, and 45 years of playing have given this a worn-in and familiar comfort - the handshake is fantastic. Impossible to pick up without a few minutes playing - even if no plugged in. As with all the premium models, there is a very solid steel block on the tremolo, that when set to float a little, will ring and resonate beautifully. This is carried through to an amplified signal - the sustain is just right for all types of tone - those resonant high frequencies can be muted with the tone controls if a jazzy tone is called for. It's got plenty of scars - nothing remotely horrendous - just adding to the character of this fine guitar. That angry looking crack on the end of the headstock has been checked out, we have photos of the integrity of the headstock - quite often, cracks in the lacquer look a lot worse than they are on the natural finishes. You can say it was when you attacked a pedestal camera! We'd be happy to send this off to a new owner just as it is, but it could be the perfect guitar for an upgrade project - we can be even more 1970s and put some Jescar 55090 frets on; put a Gotoh 510 tremolo on it; whilst the Excels are dreamy pick-ups, we could put something either hotter, more versatile, or anything you wish in there - a glorious stage-worn natural Strat is the ideal back-drop for anything. Contact us to discuss the options and the resulting price. Price SOLD Availability Sold Recommendation I don't believe he smashed the Natural Strat... Buy as Is Buy to Upgrade Specifications Year 1978 Pick-ups PU-119 Selector 3-Way Bridge Original Vintage Tremolo Board Maple Weight 3.70kg; 8lbs 4oz Modifications None ← Previous Next→ Latest Videos Play Video Play Video 04:37 Play Video Play Video 03:15 Play Video Play Video 05:58 Play Video Play Video 03:26 Play Video Play Video 02:27 Play Video Play Video 06:20 Play Video Play Video 02:28 Play Video Play Video 04:13

Greco EG-480S, Affordable Vintage Soul < Back Greco EG-480S Pre Serial Number A timeless alternative to a new Epiphone - there is a lot of sense in affordable vintage guitars over brand new ones; and yes this is bolt on neck and therefore a much smaller appeal to a traditional set neck Les Paul. If this isn't a complete turn-off, this guitar is a wonderful example of how well Fujigen were producing guitars in the mid-1970s. This one has been busy - we have refurbished it appropriately. As with a few Fujigen guitars of this era, the binding had blown to bits. So, new binding on this one. The 480 was the top of the range for the bolt-ons, and has superior hardware to the lower order 360s and 420s. The tuners are the well regarded and reliable "star-tuners" - these have an action and feel missing from all but the most expensive tuners today. The body is a chambered sycamore topped pancake mahogany construction, the weight is a medium 3.95kg (8lbs 11oz); and the acoustic resonance is very pleasing even before you plug it in - it does a decent impression of a National. The maple neck is capped with an ebony fretboard - the scale is faithful and the neck has a substantial 50s-style C-shaped profile carve, measuring .890” deep at the 1st fret and .975” at the 12th. It has the feel of a far more prestigious brand. The Maxon pick-ups are never a disappointment, and have a soul, a warmth and can be as smooth or growly as you wish with the controls. This is the type of guitar you can lose hours and hours with, and it defies its price tag, and hopes you'll give it a chance despite the presence of a neck plate. A 1974 Gibson will set you back many thousands of pounds or dollars - this one will be a tiny fraction of that and is a very viable alternative to a brand new Epiphone. 50 year old guitars built by the big manufacturers in Japan are a bit of well kept secret - nothing new of a comparable price will play like these, and while the top end Super Real and Mint Series Grecos now approach the astronomical price levels that rival the Gibsons themselves, make the most of this well kept secret while it lasts and bring an EG480B into your life before the market pulls these prices up too. If you like a bit of heft to your Les Paul, prefer the company of an older guitar, give this one some serious thought. They are getting rarer in this condition - this one is in excellent condition. Price £825 Availability Sold Recommendation Play it forever Buy as Is Buy to Upgrade Specifications Year 1974 Pick-ups Maxon Selector 3-Way Toggle Bridge ToM Board Ebony Weight 3.95kg; 8lbs 11oz Modifications New Binding ← Previous Next→ Latest Videos Play Video Play Video 04:37 Play Video Play Video 03:15 Play Video Play Video 05:58 Play Video Play Video 03:26 Play Video Play Video 02:27 Play Video Play Video 06:20 Play Video Play Video 02:28 Play Video Play Video 04:13

1973 Fujigen Greco EG420, < Back 1973 Fujigen Greco EG420 Pre-serial Number Model A fine example of a very rare1973 Greco EG-420 is now available at Matsumoku. The 420 retains the dimensions and playing character of the 360, but these 420 models have the benefit of the involvement of Narumo san, who knew a thing or two about the real things. The Maxon pick-ups are controlled through the original pots (250!) and have none of the scratchiness of many 50 year old examples. Have a listen to them on the video with Vox AC30 and Lazy J amps, and then a bit of GT-100 effects to see how they perform. These 420s were produced in the Fujigen factory and there are plenty of folk who have the opinion that the quality control operatives overseeing these guitars were more diligent than those working at Gibson at the time. These are not pure faithful Les Paul copies - those didn't appear until 1975, but these earlier ones are still lovely to play and have character of their own. E to E on the saddles is 50mm, the nut is 41mm instead of the 43mm you may expect. The 12" radius will seem familiar, the bolt on neck may not. The original saddles and tail piece have succumbed to the effects of time, and are no longer shiny and new. We can replace these with equivalent Gotoh units if this is an issue. Just contact us via the website to discuss any modifications you might like. The original tuners function very well and the guitar generally has that run-in vintage feel, but other than the bridge finish, no significant signs of being 50 years old. I bet a ECL/CMI '72 out of Kalamazoo would be well over 3k now. We have given it a thorough service, careful nut and bolt rebuild, and a fresh set of strings and now it's ready for anther 50 years. The neck pick-up is now the original 'GNECO' stamped unit which we were repairing the lead connections at the time of the first set of photographs. While we were there, we converted the unit to a 4 conductor state and replaced the neck volume potentiometer with a big body Alpha push pull which when pulled up provides this neck humbucker in parallel mode. Push it back down for the full fat series humbucker tone. It is very useful for cleaner tones. It has has a new set of pick-up surround screws - the original ones weren't quite gripping enough. It has has a new set of pick-up surround screws - the original ones weren't quite gripping enough. You don't have one of these instead of a Gibson, you have one on the way up to one, or next to one in the rack. Price £££ Availability Sold Recommendation Buy as Is Buy to Upgrade Specifications Year 1973 Pick-ups 2 x Maxon Selector 3 way Bridge ToM style Board Rosewood Weight 3.56kg; 7lbs 14oz Modifications None ← Previous Next→ Latest Videos Play Video Play Video 04:37 Play Video Play Video 03:15 Play Video Play Video 05:58 Play Video Play Video 03:26 Play Video Play Video 02:27 Play Video Play Video 06:20 Play Video Play Video 02:28 Play Video Play Video 04:13

1973 Greco SE-500B (RW), Rare spec time-warp Matsumoku < Back 1973 Greco SE-500B (RW) Pre-serial Number This is a rather rare opportunity to have a rosewood neck on a Matsumoku built Strat from the early 1970s. This guitar fundamentally dates from late 1973 - the bridge and the tuners are perfect for this period. Rosewood necks were an 18,000Yen option on these guitars - quite a chunk of money in the 1970s. Under the rosewood board is the engineered 5 piece maple neck - held in very high esteem by MIJ enthusiasts. A departure from the Fender style, but Matsumoku were always trying to improve on tradition - facsimile copies were not the objective despite the talk of Lawsuit era etc. This one arrived from Japan in almost time-warp condition - the frets were, however, almost worn to nothing so a fresh set have gone on, and the rosewood board refurbished to take a slight hump that the rod couldn't cope with. It's now as good as new and ready for another few decades of service. The pick-ups are classic short fat Maxon singles - 4.5k, and the sort of output that makes you braver with the gain knob on the amp or the OD-3. Bright, airy but digs in and makes sure it is heard in any mix. With the neck refurbishment, this guitar feels and plays like a very premium model; and will happily sit alongside a modern Fender in a rack - it may even put it to shame. This guitar still has its original case, its original strap is still in the pocket. Price £895 Availability Sold Recommendation Buy as Is Buy to Upgrade Specifications Year 1973 Pick-ups Maxons Selector 3-way Bridge Vintage tremolo Board Rosewood Weight 3.68kg; 8lbs 1oz Modifications Re-fretted ← Previous Next→ Latest Videos Play Video Play Video 04:37 Play Video Play Video 03:15 Play Video Play Video 05:58 Play Video Play Video 03:26 Play Video Play Video 02:27 Play Video Play Video 06:20 Play Video Play Video 02:28 Play Video Play Video 04:13

Gretsch 7660 Chet Atkins Nashville, Arkansas built beauty < Back Gretsch 7660 Chet Atkins Nashville 1-3069 This 7660 is a very fine example of a Baldwin era Arkansas Gretsch - this has a nice deep hollow body and a nice balance. At 3.7kg (a touch over 8lbs), it is quite weighty for a Nashville, but perfectly balanced - a bit more maple on a deeper body. The deep orange finish is amazing - just a few polishing marks and little to demonstrate 51 years of life - you will have to hold it up to the light to see the imperfections. At a fraction under 3 inches deep at the f-hole this is one of the sought after versions. This is on its original frets and there are signs of minor wear on the lower few frets, but it does not affect playability in any way. The neck profile is thin enough to achieve some Setzer speed but not skinny. The nut is 43mm, and 48mm at the 12th fret. Unlike a few of these 7660 models, this one is intonated perfectly and the action can be varied to suit you. It currently has a low action for a fast light touch Setzer style, but I had it up 1 mm to suit my fat fingered slow style and it performed equally as well. All the famous sounds are there - the tone filter is actually very useful, and with the 2 independent volume controlled pick-ups, an enormous array of tones are available. The Bigsby behaves itself - no sliding around and keeps tune admirably. To get the best out of these, you need to get familiar with the controls, they are not one-trick ponies. Have a listen to the video to hear it in action. It comes with a non-original Gretsch case - still a Gretsch case, but not specifically for this model. Unless you go right to the top of the range and have Tom Jones or Stephen Stern breathe some magic on it, a new Gretsch wouldn't make you smile like this one does. It's an absolute cracker, and not a bad investment. 1960s 6120 models are getting further and further out of reach, this really is a brilliant alternative. Price £2,125 Availability Sold Recommendation Enjoy as it is. Buy as Is Buy to Upgrade Specifications Year 1973 Pick-ups Filtertron Selector 3 way Toggle Bridge Bigsby Board Ebony Weight 3.67kg; 8lbs 1oz Modifications None ← Previous Next→ Latest Videos Play Video Play Video 04:37 Play Video Play Video 03:15 Play Video Play Video 05:58 Play Video Play Video 03:26 Play Video Play Video 02:27 Play Video Play Video 06:20 Play Video Play Video 02:28 Play Video Play Video 04:13

Greco EG480B, The ultimate bolt-on. < Back Greco EG480B Pre-serial Number Let's get the obvious out the way - yes this is bolt on neck and therefore a much smaller appeal to a traditional set neck Les Paul. If this isn't a complete turn-off, this guitar is a wonderful example of how well Fujigen were producing guitars in the mid-1970s. This one has had a very cherished life, and comes with its original sale certificate, strap and also a period correct fitted hard case. The 480 was the top of the range for the bolt-ons, and has superior hardware to the lower order 360s and 420s. The tuners are the well regarded and reliable "star-tuners" - these have an action and feel missing from all but the most expensive tuners today. The body is a chambered sycamore pancake construction, the weight is a very comfortable 3.76kg (8lbs 4oz); and the acoustic resonance is very pleasing even before you plug it in. The maple neck is capped with an ebony fretboard - the scale is faithful and the neck has a substantial 50s-style C-shaped profile carve, measuring .890” deep at the 1st fret and .975” at the 12th. It has the feel of a far more prestigious brand. The Maxon pick-ups are never a disappointment, and have a soul, a warmth and can be as smooth or growly as you wish with the controls. This is the type of guitar you can lose hours and hours with, and it defies its price tag, and hopes you'll give it a chance despite the presence of a neck plate. The previous owner has opted to change the pick-guard and the pick-up surrounds for pleasing cream ones, but the original black items are present and correct, and can be re-fitted if the next owner chooses. A 1974 Gibson will set you back many thousands of pounds or dollars - this one will be a tiny fraction of that, and a very viable alternative to a brand new Epiphone. 50 year old guitars built by the big manufacturers in Japan are a bit of well kept secret - nothing new of a comparable price will play like these, and while the top end Super Real and Mint Series Grecos now approach the astronomical price levels that rival the Gibsons themselves, make the most of this well kept secret while it lasts and bring an EG480B into your life before the market pulls these prices up too. Price SOLD Availability Sold Recommendation Enjoy this as it is Buy as Is Buy to Upgrade Specifications Year 1974 Pick-ups Original Maxon Selector 3-Way Bridge ToM Board Ebony Weight 3.76kg; 8lbs 4oz Modifications Cream plastic - black plastic still in the case ← Previous Next→ Latest Videos Play Video Play Video 04:37 Play Video Play Video 03:15 Play Video Play Video 05:58 Play Video Play Video 03:26 Play Video Play Video 02:27 Play Video Play Video 06:20 Play Video Play Video 02:28 Play Video Play Video 04:13

Westminster Competition Colors, I bet you just said "oh Wow"... < Back Westminster Competition Colors J780480 Offsets seem to be in fashion at the moment - Fender Mustangs are getting very expensive; a Mustang makes a stronger statement today than I expect Fender expected. This white, now creamy yellow 'Competition Colors' Westminster is a very unusual guitar to be seen in UK - Westminster was a mid-range brand offered mostly to the Australian and NZ market by Kanda Shokai (who owned Greco, Aria Pro II etc). Westminster Strats, Teles and other familiar styles of guitar and bass were in the same bracket as Kimbara and Pearl, but their Mustangs and Rick 4001 were of similar standard to Greco - definitely a level above the rest of the range from a materials and quality standpoint. The two original Maxon pick-ups are typically low output, and beg for a decent valve amp and/or a good overdrive pedal. Listen to the demo - they are grown up proper pick-ups - these can either whisper at you or scream at the top of their voice. This has the classic Mustang switching and the reverse phase setting is bordering on insane. Shouldn't work but does. Especially with that overdrive pedal notched up a bit. I'd buy this guitar just for that sound. I did actually. Short scale, this will feel familiar to proper Mustang players, and at 3.7kg (8lbs 2 and bit oz), has a "this is not a toy" feel to it. Those familiar with a Ben Gibbard model, may like this one - the substantial C neck is a dream. As with most Matsumoku models until the 1980's, necks remained substantial - not the skinny types. This plays as well as it looks good - timeless style and absolutely stage ready. Price £845 Availability 1 at Ketteringham Hall Recommendation Buy as Is Buy to Upgrade Specifications Year 1978 Pick-ups Maxon Selector 2 sliders on/off/on Bridge Dynamic Vibrato style Board Maple Weight 3.7kg; 8lbs 3 oz Modifications None ← Previous Next→ Latest Videos Play Video Play Video 04:37 Play Video Play Video 03:15 Play Video Play Video 05:58 Play Video Play Video 03:26 Play Video Play Video 02:27 Play Video Play Video 06:20 Play Video Play Video 02:28 Play Video Play Video 04:13

1973 Greco SE-430 No.2, Soulful vintage Matsumoku at its finest. < Back 1973 Greco SE-430 No.2 Pre Serial Number Another glorious 1973 built Greco with the 5-piece construction neck - so special that some folk have asked us to build guitars around them. During this period in Matsumoku's history it wasn't faithful accuracy to Fender dimensions that counted, it was creating a strong stable comfortable neck. We have never seen a 1973 neck that needed any adjustment after 50 years - this one included. This guitar arrived here from Japan after a long cherished life in the hands of its original owner and aside from regular servicing and a fresh set of strings, it needed for nothing. The frets are low but level - a refret is not far away; but when guitars are as comfortable to play as this one, lets get the most from them. This would make a very good starter instrument - they were of course the entry level back in 1973, but these are a different class altogether from new starter guitars. It is tempting to spend as little as possible on the first guitar, but this really doesn't do any favours to the student as they always need the same value as the guitar itself to prepare for actually playing. This SE-430 is so slick, so gentle and has a decent acoustic ring even when not plugged in. The Maxons pick-ups are low output heaven - their distinctive brightness pairs with a small valve amp perfectly. These were the original iteration of the pick-ups in the USA-bound Goya guitars - a fair few very famous guitarists found their sounds and styles on these. Take a listen to how this one sounds in the video below: Its in great condition, needs nothing for another few years, but will need a new set of frets to get to its 100th birthday. Of course there are signs of life on the finish, but its all genuine - its taken 50 years to get it looking like this! Price ON SALE! Click Buy button to reveal latest price. Availability 1 at Ketteringham Hall Recommendation Perfect example of the marque, or a fantastic donor for sensitive DreamBuild upgrade. Buy as Is Buy to Upgrade Specifications Year 1973 Pick-ups Maxons Selector 3-way Bridge Original Matsumoku Vintage Board Maple Weight 3.68kg; 8lbs 2oz Modifications None ← Previous Next→ Latest Videos Play Video Play Video 04:37 Play Video Play Video 03:15 Play Video Play Video 05:58 Play Video Play Video 03:26 Play Video Play Video 02:27 Play Video Play Video 06:20 Play Video Play Video 02:28 Play Video Play Video 04:13

Echopark Arroyo, Your chance to be Dean Fertita (or Johnny Depp). < Back Echopark Arroyo Brooks Collection This is one of Gabriel Currie's Californian builds, and is the precise same spec as Dean Fertita's (QOTSA Reading 2014 video Burn the Witch). At a shade over 7lbs, the NOS mahogany results in a decent comfortable weight - the substantial C neck is very comfortable indeed - a solid handshake from this Arroyo. The choice of pick-ups on this build is sensational - the Arcane Echotron built to Currie's spec, and gives the lead tone a very special character clean and driven. The neck pick-up is a single coil goldfoil , another custom winding that manages to combine clarity and "lo-fi" perfectly. For the bridge pick-up, just listen to the Reading 2014 QOTSA Burn the Witch – that guitar is the exact same model and spec as this one. It is an Arcane Echotron which cuts and bites without overdoing it. The balance between the two is sublime. This is a guitar that lends its lo-fi character to every other tone you have in your head and delivers something more than you may have expected. It is old-stock Mahogany for body and neck , and a Macassar Ebony fretboard with medium Jescar frets. The bridge is a Tonepros wraparound, all other components are what you would expect (CTS, Gotoh, Switchcraft, PIO capacitor). There is a characteristic of all Echoparks that I have experienced – is it one of Mr. Curries idiosyncrasies? Maybe. The scratchplate doesn’t fit brilliantly – it curls a bit at the edges. It is a lot better than the aluminium affair that graced the Clarence that passed through here a while back. It’s character – proves it’s a real one! This is one of Gabe’s Californian builds – some say his best era. He’s not the easiest chap in the world to deal with, especially lately, but this guitar represents the finest qualities of his hands and mind. A solid handshake without being heavy, a neck like a telegraph pole without being unwieldy, and a green-burst finish that oozes quality and class. This is one of 2 Echoparks we have had here recently – both sublime. This one is still available here at the Hall – come and try it to see what the fuss is all about. Price £4,895 Availability 1 at Ketteringham Hall Recommendation Buy as Is Buy to Upgrade Specifications Year 2016 Pick-ups Echopark Goldfoil and Echotron Selector 3 way Toggle Bridge Tonepros Wraparound Board Macassar Ebony Weight 3.23kg; 7lbs 2oz Modifications None ← Previous Next→ Latest Videos Play Video Play Video 04:37 Play Video Play Video 03:15 Play Video Play Video 05:58 Play Video Play Video 03:26 Play Video Play Video 02:27 Play Video Play Video 06:20 Play Video Play Video 02:28 Play Video Play Video 04:13