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- Aria Pro II ASB-60, No Number
Aria Pro II ASB-60, Transition period Medium Scale with toys < Back Aria Pro II ASB-60 No Number By the time this bass was built, the Matsumoku plant in Japan had become Nanbu Park, and the remaining stock of parts had been transferred to Korea to continue production. The ASB range was a medium scale offering, and had the spirit of the older SB models, but has been largely forgotten as the Integra range took over. These ASB models are too good to overlook - they feel and play like the older MIJ guitars. This one had certainly been busy - the bodywork is very worn, but doesn't detract from looking great from the audience. The fun starts with the switching. 2 stealthy S-1 switches for master volume and master tone. When both are unactivated, the bass operates as a traditional PJ style with the 3-way toggle. With the Tone control S-1 activated, the phase of the Precision unit is reversed to get that nasal tone that you think you'll never use, but always do. With the Volume control S-1 pressed, a whole new world appears. The 2 pick-ups are connected in series, but the D and G strings are in reverse phase. If the Tone control S-1 is activated, the phase reversal is swapped to the E and A strings. Witchcraft? No, just having the maximum fun with what tones a PJ is capable of producing. https://www.youtube.com/watch?v=hAInSAgMiiI The video demo is very necessary, obviously. This bass will make a fine work-horse, and bass solos will take on a whole new character with the series/phase options. A little mad? Yes, but a whole lot of fun. Price Availability £595 Sold Recommendation Thru'neck and versatile Buy as Is Buy to Upgrade Specifications Year 1989 Pick-ups AP-2; Super Boomer Selector 3 Way Bridge Original Board Rosewood 3.78kg; 8lbs 5oz Modifications New Wiring Schematic Weight ← Previous Next→ Latest Videos Play Video Play Video 03:33 Play Video Play Video 06:07 Play Video Play Video 07:01 Play Video Play Video 02:33 Play Video Play Video 03:30 Play Video Play Video 07:44 Play Video Play Video 02:41 Play Video Play Video 03:08
- Matsumoku Monaco H79
The ultimate spec in an International Series tribute. The best, everywhere. < Back Matsumoku Monaco H79 Price £2,395 GBP | SOLD Add to Cart Chat with Us Missed out on this model? Talk to us for a rebuild! The Monaco H79 is a re-finished and re-imagined 1978 Greco SE-800 - the top of the range instrument of the day, and a tribute to the 54 Strat. During this time Fujigen were trying so hard to court Fender and this was how they did it. Refinished, but not polished, in yellow nitrocellulose, a little of the grain makes itself known, the rest of this guitar is a nod to the International Series Monaco. The original International series had the big headstock, the bullet truss rod; as did the MIJ re-issues and so does the current reissue (did I start a trend?). Our Monaco tribute has the small headstock and the C profile neck. Instead of Vintage Fender pick-ups, I decided to explore the delights of D Allen pick-ups and ordered a set of Echoes for this. These are not a simple copy of the Seymour Duncan SSLs - they are essentially his celebrated 69 VooDooBlues set but with an extra gear on the bridge. The volume knob sports an S-1 switch which will bring in the additional winding (7.6k to 12.5k). Coil taps on Strats offer a very useable alternative to resorting to a humbucker installation with coil split. This is also a lot less complex and convenient than adding a boost facility via pre-amp and 9V. It retains the fundamental soul of a Strat, and doesn't give you the hassle of massive volume changes between settings. The S-1 really lets you make the change quickly and precisely - Comfortably Numb has never been more convenient! https://www.youtube.com/watch?v=qarCZ_IeSRw We have given this a Master Volume, Master Tone arrangement and assigned the lower tone control to neck blend function via a CTS 250NL potentiometer. It provides that wider in between sound - not exactly a Tele, but offers you a huge variety and finely adjustable tones. Clean and driven, this is a very versatile guitar. You may not have heard of D Allen pick-ups, but plenty of professional session musicians have. The bridge is a new Gotoh GE101 unit - stability and sustain improved, and no messing with the looks. The neck has been re-fretted with Jescar 55090 (Tall Medium). After a couple of years making tributes to the Monaco Strat, Fender must have seen Steffie's amazing photos and wondered why they aren't making these. They always cheer people up, they seem to be impervious to fashion trends, and you are unlikely to lose it on the stage. The difference between a new re-issue at £1,200 and this one at a fair bit more, is essentially due to this one being a genuine 1978 high end Greco at heart, and having very expensive and top quality components. The late 70's and early 80's is commonly considered to be the MIJ golden age for quality. Here is a yellow one with pro-session musician spec and quality. This one is already built and serving as a demonstrator - we can build one to suit individual criteria and specs. We have many fantastic guitars here ready for a transformation and will source the one you want if it isn't already here. Details The Look Vibrant yellow, shiny chrome and black plastic make this a faithful tribute to the original International Series Monaco. Headstock The smaller version of the classic shape therefore timeless. Neck A typical slightly slim C - this is what made the SE-800 Greco so great. Familiar, yet oddly better. New frets. Pick-ups The Echoes set by the legendary D Allen. The bridge is 12.5k with a tap at a more traditional 7.6k. Bridge New vintage style Gotoh GE101 in Chrome. Controls Master volume with S-1 for coil tap, Master Tone (Centralab 0.022) and Neck Blend. All CTS/CRL. Gallery ← Previous Next→
- Matsumoku DB-350 Paisley
Combination of 1973 refurbished Harayama neck; modern everything else < Back Matsumoku DB-350 Paisley Price ££££ | SOLD Add to Cart Chat with Us Missed out on this model? Talk to us for a rebuild! I give the Harayama speech elsewhere on this site - it is worth a read - but this Tele gets you one of his supreme 3 piece necks coupled with a medium weighted body. Whilst we always adore the original Maxon pick-ups, this one has been re-imagined with the serious stage or studio player in mind. This TE-350 is equipped with a Seymour Duncan Stacked Tele at the neck to provide the traditional Tele neck tone in a noiseless fashion. At the bridge we have had Tony wind a Vintage output pick-up that matches the neck unit well, and contributes to the alternative lead sound. Modernisation continues with a 4 way switch enabling all 3 traditional tones where you expect them to be, and a series phase shifted tone in the second position. There is no comparison to describe this tone - it is the result of improving the series option that most 4-way switches enable. The Gotoh bridge piece is a side-less ashtray for increased comfort, and features quality brass saddles in traditional Tele fashion. https://www.youtube.com/watch?v=8tfPikVIpn4 Old Greco Teles are timeless looking instruments to begin with and we still think this is a timeless updating - that plate will look as relevant and appropriate in 20 years time. The refurbished fretboard and new frets provide a "new-guitar" feel - an extremely premium one at that. Harayama necks always feel wonderful. This is a 50 year old Vintage guitar that you can rely on in the most demanding circumstances - the inherent fragility of such a guitar is now replaced with top drawer reliability. That extra lead sound should hopefully open up some new ideas for you - a little old fashioned analogue slap-back delay is ideal for it. This comes with a fitted case - we suspect this is the original case for the guitar. Details The Look This guitar retains a lot of its original look - a few scars from 50 years service. Shiney new chrome Gotoh hardware always looks good on these models. Paint faded very gracefully. New Paisley scratchplate Headstock New premium Gotoh SDS510 tuners and trees Neck Glorious 3-piece maple neck refurbished with new Jescar 55090 frets - a proper Custom Shop feel. Pick-ups Seymour Duncan STK-T1N at the neck and Tony Edwards Vintage at the bridge Bridge Gotoh BS-TC2 Bridge Controls 4-way switch - all 3 classic Tele tones and one extra alternative lead tone. New CTS pots, Sozo cap and new control plate with a choice of Chrome Tele or Chickenhead knobs Gallery ← Previous Next→
- Fernandes STJ-80BT VH7, No Number
Fernandes STJ-80BT VH7, A left-field choice well worth trying < Back Fernandes STJ-80BT VH7 No Number Buck Tick was (and still is) a well-known post-punk rock band in Japan – both guitarists are very loyal to Fernandes and have had signature models since the beginning. This is one of Hisashi Imai’s models – they became increasingly wild as the years progressed. We have had a few of these STJs in the last year - always popular due to the power to weight ratio. A double octave super slim and slick neck, fixed bridge and simple set-up – basically a Telecaster on steroids , then a dose of something illegal. These are pro-level instruments – obvious as soon as you pick it up. As we never tire of mentioning, we sourced, made and experimented with guitars for the late Keith Levene and this particular STJ was singled out by him for us to experiment with. We replaced the FGI-T pick-ups with a pair of VH-7 hot-rails style pick-ups, added a series option for them and now this guitar punches and shouts, yet with a quick roll back of the tone, becomes creamy and smooth. This now suits virtually any style of music you need it to deliver, but relishes the high gain - even metal - settings. https://www.youtube.com/watch?v=vfLQJ9imhUQ Price Availability £££ Sold Recommendation A left-field choice, but well worth a try. These pick-ups really make a difference. Buy as Is Buy to Upgrade Specifications Year Mid-1990s Pick-ups Fernandes VH-7 bridge and neck Selector 3 way Bridge Gotoh GTC102 Board Rosewood 3.21kg, 7lbs 1oz Modifications VH-7 pick-up upgrade; series/parallel via tone pot Weight ← Previous Next→ Latest Videos Play Video Play Video 03:33 Play Video Play Video 06:07 Play Video Play Video 07:01 Play Video Play Video 02:33 Play Video Play Video 03:30 Play Video Play Video 07:44 Play Video Play Video 02:41 Play Video Play Video 03:08
- Aria Pro II ST-600D, L800038
Aria Pro II ST-600D, < Back Aria Pro II ST-600D L800038 L800038 is a very late production of the "Regular Line" traditional style guitars with the Aria name - the more modern and up-market Project Series dominating production until the "ST & Others" brochure brought the traditional products back. L800038 is the perfect sibling for D800066 - identical in spec aside from the Rosewood neck. We'll forgive the massive cigarette burn on the headstock, and the chips on the horn - this guitar has a very soft and easy feel to it. https://www.youtube.com/watch?v=FLzpTAisDS0 Price Availability £995 Sold Recommendation Perfect donor for DreamBuild or sensitive upgrade Buy as Is Buy to Upgrade Specifications Year 1980 Pick-ups DiMarzio FS-1 Selector 3-way Bridge Vintage tremolo Board Rosewood 3.5kg; 7lbs 11oz Modifications None Weight ← Previous Next→ Latest Videos Play Video Play Video 03:33 Play Video Play Video 06:07 Play Video Play Video 07:01 Play Video Play Video 02:33 Play Video Play Video 03:30 Play Video Play Video 07:44 Play Video Play Video 02:41 Play Video Play Video 03:08
- Hofner Colorama II 1960, 184
Hofner Colorama II 1960, < Back Hofner Colorama II 1960 184 The serial number of this wonderful old Colorama dates it to 1960, and it remains with its Selmer branded snakeskin effect hard case. It is a twin pick-up, tremolo model that has had a refinish in an accurate colour, and done to a very decent standard. The original control panel still exists but the slider switches have perished. Instead of buying the normal aftermarket replacement, we decided to give this one a slightly more modern look, cut our own plate and ditch the rhythm/solo circuits for a series/parallel option. These 1960s guitars are obviously a different prospect to a regular Strat or Les Paul – they are just as useable and give a very distinct stage presence. They have a very distinct sound too and happily keep up with modern traffic when wired up appropriately. The lead pick-up is a particularly raunchy unit, and together in series will have you taken very seriously! This is more than Beatles/Undertakers covers, although it will handle that easily; and it will not be the ideal guitar for drop C metal riffing, but for any other style, it will ply its trade with pride. Does it keep tune? Yes. Is the neck bent like a banana? Not exactly, but it isn’t and will never be rod straight. Does it intonate? Yes! There is ample adjustment on the saddles and stick to 009 and 010 gauge, and your ‘up the neck’ stuff will be fine. Is it slide action? No, but let’s be realistic, it is a 1960s guitar. It is perfectly playable, rhythm and lead. Are the frets worn? Yes, but not to the point of needing remedial work for a while. There is no buzz, and bending is fine. Are they humbuckers? No, they are single coils with double magnets. They have a sound of their own. Are they microphonic? Of course they are - that is part of the charm. You could probably lay down some interesting vocals with them! A reproduction tremolo arm is now fitted as are two shiny new strap pins (after photos were taken). Have a listen to the demo which I am feeding the guitar into the Blackstar and trying it through all the channels. Also, it will be in its original snakeskin Selmer case. https://www.youtube.com/watch?v=sMArFbfTQ5s Price Availability £££ Sold Recommendation Enjoy as it is, or consider Curtis Novak Goldfoils… Buy as Is Buy to Upgrade Specifications Year 1960 Pick-ups Hofner Diamond Selector 3 x sliders Bridge Hofner Tremolo Board Rosewood 3.55kg; 7lbs 13oz Modifications Refinish, new console with on/off and either phase or parallel/series Weight ← Previous Next→ Latest Videos Play Video Play Video 03:33 Play Video Play Video 06:07 Play Video Play Video 07:01 Play Video Play Video 02:33 Play Video Play Video 03:30 Play Video Play Video 07:44 Play Video Play Video 02:41 Play Video Play Video 03:08
- 1973 Greco SE-500N, Pre-serial Number
1973 Greco SE-500N, < Back 1973 Greco SE-500N Pre-serial Number This is a fine example of a pre-serial number Matsumoku Stratocaster destined for the home market in Greco guise. Despite being significantly cheaper than the imported US equivalent, this guitar represents incredible value for money compared to the “real thing” from 1973. The neck profile is a substantial C, unlike the later and better-known JVs, the scale is as you would expect unlike some very early Strat clones. The pick-ups are pure Maxon – bright and airy, and the scratchplate still carries the original 1meg pot for the volume and a pair of 500s for the tones. This will upset the purists, but these pots get the best out of the Maxons. The original 3-way switch remains and has had sufficient use to allow us to find those in-between settings. The grain on this pancake body construction is sublime – up close it has a few knocks and dings from 50 years of use, but it wears them well. This guitar has been a busy one – the frets are worn to absolute limit, yet it still plays sublimely – those that like a low action on their Strats will adore this one. We think there is a year or two left in these frets and this will be a rhythm guitarists best mate for a while until a re-fret is finally due. When guitars with worn frets arrive, we often just put on a nice new set of tall narrow, or some nice fat 70s Gibson frets to give it that real 70s feel; but this one we will leave to the next owner to decide – the last year of service these provide will be a fantastic year. Or, we can give it the Dave Edwards treatment and convert it to something resembling one of Rory Gallagher’s fleet – some fancy pick-ups, some unusual tonal variety – even a pair of humbuckers. https://www.youtube.com/watch?v=c6unJKL_Cc8 Price Availability £££ Sold Recommendation Buy as Is Buy to Upgrade Specifications Year 1973 Pick-ups Maxon x3 Selector 3-way Bridge Vintage tremolo Board Maple 4.13kg; 9lbs 2oz Modifications None Weight ← Previous Next→ Latest Videos Play Video Play Video 03:33 Play Video Play Video 06:07 Play Video Play Video 07:01 Play Video Play Video 02:33 Play Video Play Video 03:30 Play Video Play Video 07:44 Play Video Play Video 02:41 Play Video Play Video 03:08
- Gretsch Penguin - Stephen Stern Masterbuild, UC22032277
Gretsch Penguin - Stephen Stern Masterbuild, Rare chance to acquire a Stern Masterbuild < Back Gretsch Penguin - Stephen Stern Masterbuild UC22032277 Custom Shop Gretsches are usually very special, and this one was commissioned to be very special indeed. This is a Stephen Stern hollow body Penguin, in an extremely dark metallic green - almost black until it catches the light. Sparkly silver binding and cream sides and rear really makes this one stand out even amongst other Sterns and Madrigals. There are 3 Dynasonic pick-ups - these are 10.33k, 10.57k and 10.45k from neck to bridge, and all 3 sound phenomenal at any level of gain, and their character transforms from a warm clarity with low levels of gain right up to aggressive brightness as the drive increases; but they always feel in control - a more refined version of the original DeArmond 2000 on which they are based. Thanks to the crystal clear clarity on offer, mixing the pick-ups offers enormous versatility with tones you may not expect from a Gretsch. The control layout assumes a normal twin pick-up Gretsch in that the pick-up selector offer neck, neck and bridge, and bridge in its 3 settings, and each pick-up has its own volume control. The neighbouring toggle switch will activate the middle pick-up in any of the settings and its own volume control is the bottom knob. The middle can be heard on its own by turning the other pick-ups' volume down. On its own it is a very pleasant tone and pleasingly different. A third toggle switch feeds the signal through a pair of Squeezeboxes to give you the usual Gretsch tone pre-sets. A Master Volume with a treble bleed completes the control layout. The Bigsby provides the normal wobble of the pitch, but stays firmly in place at all times - no chance of tuning instability with this one. Almost unplayed since new, this joined a large collection and shows no signs of use. It comes in its original case complete with all the paperwork including CoA. https://www.youtube.com/watch?v=yoEf8vwqd6A This beautiful guitar has one tiny cosmetic flaw in that the paint has minor cracks in 2 places - one at the heel and the other at the bottom below the strap pin. The binding and paint have expanded at slightly different rates and this occurred a few weeks after delivery and has not changed since. Some have suggested this occurred in the aeroplane, but we can't commit to that. We have captured this in the photos and please contact us to let us show you over a videocall if this may be an issue. That tiny flaw aside, this is an outstanding guitar with an interesting and useful specification - Stephen Stern models are perhaps the most sought after modern Gretsches and chances to own one are few and far between. It is here at the Hall and can be viewed and played by appointment - thanks to recent UK politics, the exchange rate may well suit overseas buyers - we will ship worldwide, pack to extremely high standards and guitars are despatched with full value insurance. Price Availability £7,450 Sold Recommendation Be quick... Buy as Is Buy to Upgrade Specifications Year 2022 Pick-ups Gretsch Dynasonic Selector 3-way Toggle Bridge Bigsby Board Rosewood 4.06kg; 8lbs 15oz Modifications None Weight ← Previous Next→ Latest Videos Play Video Play Video 03:33 Play Video Play Video 06:07 Play Video Play Video 07:01 Play Video Play Video 02:33 Play Video Play Video 03:30 Play Video Play Video 07:44 Play Video Play Video 02:41 Play Video Play Video 03:08
- Greco SE-450, H773531
Greco SE-450, Fender before it was Fender < Back Greco SE-450 H773531 Always a firm favourite here, a white Greco with the added bonus of a Rosewood board so a proper 1960s look! The necks on the Fujigen guitars are a much slimmer C than the earlier Matsumoku models from across town. The pick-ups are original to the guitar and by mid 1977 had evolved to PU-100s, retaining the snappy and airy brightness of the older units, but with 8.07 to 8.22k DCR instead of the 5.8 - 6.0 we see on the pre-PU100 evolution. A real outstanding feature of this guitar is the 3.34kg weight - compared to many of the guitars from 1977, it is particularly light in weight which makes it a real pleasure to play. The 450 model had a slightly slimmer body - just a few mm, than the 500 models. This is the type of guitar that will hook you in before you even plug it in - it has an acoustic ring we only experience with either expensively upgraded models, or very high end Fenders. This one has been maintained very well throughout its life, the slightly faded white paint gives it that proper vintage look. This is a prime example of a mid range guitar competing admirably with premium models - it has an amazing soul - I bet you're Hendrix in less than an hour on this one! https://www.youtube.com/watch?v=PWk1W3o4C8I Price Availability SOLD Sold Recommendation Learn some Jeff Beck Buy as Is Buy to Upgrade Specifications Year 1977 Pick-ups Maxon PU-100 Selector 3-way Bridge Original Vintage Tremolo Board Rosewood 3.34kg; 7lbs 6oz Modifications None Weight ← Previous Next→ Latest Videos Play Video Play Video 03:33 Play Video Play Video 06:07 Play Video Play Video 07:01 Play Video Play Video 02:33 Play Video Play Video 03:30 Play Video Play Video 07:44 Play Video Play Video 02:41 Play Video Play Video 03:08
- 1983 Bill Lawrence Challenger 1 BCOR-55, B30548
1983 Bill Lawrence Challenger 1 BCOR-55, The charm of simplicity < Back 1983 Bill Lawrence Challenger 1 BCOR-55 B30548 This is a really great example of a Bill Lawrence BCOR-55 which features a solitary S3 Black Label pick-up. Bill Lawrence's heart was in pick-ups and he had Moridaira host them in their fine quality instruments.We are putting this one at early 1983, and all original including the Lawrence stamped saddles. The maple fretboard is unusual - most are rosewood. The location of the volume control is also unusual - most catalogue photos show it close to the pick-up, but there are no signs that this is not how it left Moridaira. The neck is super skinny and has a slight V to the profile. Very unusual but perfectly comfortable. At 3.29kg (7lbs 4oz) it is as light as it is simple. Under that empty scratchplate are routings for HSS should the mood take you later, but who could argue the charm of such simplicity? https://www.youtube.com/watch?v=VAZvA_uV4lw Price Availability £££ Sold Recommendation Buy as Is Buy to Upgrade Specifications Year 1983 Pick-ups Bill Lawrence S3 Black Label Selector N/A Bridge Vintage Tremolo Board Maple 3.29kg; 7lbs 4oz Modifications None Weight ← Previous Next→ Latest Videos Play Video Play Video 03:33 Play Video Play Video 06:07 Play Video Play Video 07:01 Play Video Play Video 02:33 Play Video Play Video 03:30 Play Video Play Video 07:44 Play Video Play Video 02:41 Play Video Play Video 03:08
- Greco SE-430, Matsumoku Stamped
Greco SE-430, The Survivor. < Back Greco SE-430 Matsumoku Stamped This is a fabulous rescue story. This 1973 Greco has remained totally original throughout its life - for years it hung in possibly the most tobacco stained bar in Japan, and languished in a junk shop for a few years before we saved it. It took hours and hours of "de-nicotining", a small repair to the bridge pick-up leads, a tiny adjustment to the truss rod, and finally a decent set of 010s. Now it sings. No-one who has sampled this survivor has managed not to fall in love with it. Hardened Les Paul players respect it; expensive modern Fender players are slightly perturbed by it. Like a lot of our favourite guitars here, it pulls the music out of you; it leads you to odd places and unlocks things. My favourite comment from a guest here is "you just can't not play this thing - it's haunted - it's playing through me". Price Availability Private Stock Stays at Ketteringham Hall Recommendation I have maple neck versions under restoration - we can talk about these Buy as Is Buy to Upgrade Specifications Year 1973 Pick-ups Maxon 13414 Selector Original 3-way Bridge Greco vintage tremolo Board Rosewood 3.88kg; 8lbs 9oz Modifications None Weight ← Previous Next→ Latest Videos Play Video Play Video 03:33 Play Video Play Video 06:07 Play Video Play Video 07:01 Play Video Play Video 02:33 Play Video Play Video 03:30 Play Video Play Video 07:44 Play Video Play Video 02:41 Play Video Play Video 03:08
- TEJ-55G MMK
Super-versatile shred/ballad beast < Back TEJ-55G MMK Price £995 Add to Cart Chat with Us Familiarization will obviously be required to remember how these tones are obtained, but it really does soon become intuitive. We always favour a simpler aesthetic and stealthy functionality. The fundamental tuners are original to the guitar, but the buttons have been replaced to match the fabulous Gotoh 510-T tremolo that is a vast improvement over the original Fernandes Knife-edge unit. These Gotoh units are fitted to very premium luthier built MIJ guitars (and some mega-bucks USA makes too). They are eye-wateringly expensive, but with these, you get what you pay for. Not only is the tremolo action smooth, the fancy block provides a bucket load of sustain that the original aluminium block was incapable of giving. It can do a great impression of a lap-steel although the action is a bit low for a bottleneck. Black and Gold strap locks complete the hardware upgrades, and the road-worn finish still polishes up nicely - just add to the ring-dings that pepper the top, and are a testament to how this guitar has plied its trade. Due to the fact that you can hide a packet of JPS ciggies on this guitar, it was very close to joining our Lotus Classic Team series representing the JPS era, but this is just too amazingly good to be a case-queen / show-case guitar. https://www.youtube.com/watch?v=tRcbzEzsuT0 The Fernandes TEJ-55 was a rare model even when new, and was essentially a TEJ-70 without the FGI-T active pick-ups, and G models had the gold hardware. These were a whole quality level up from the more basic TEJ models - as soon as your hand meets the neck, this will become apparent. Premium models with cheaper pick-ups are our favourite as we can recreate an instrument that retains the premium feel and then add amazing pick-ups and functionality. The LH-1 humbucker is now replaced by a Kent Armstrong HSDE model (predecessor of the Grinder model) which packs an almighty punch in series mode, but has enough strength and presence in the individual coils to let them be voiced individually and provide some shimmering clean tones. The guitar retains a simple look with the pick-up selector and master volume and tone controls, but both chickenheads are governing premium CTS push pull knobs to enable 4 distinct modes. Mode 1: (Volume and Tone pushed in) This is Power Tele mode with the neck single coil, the neck and bridge humbucker in parallel, and the bridge humbucker available from the toggle selector. Ideally suited for driven tones, the humbucker will struggle to stay clean even on a solid state Fender amp. But stamp on the OD-3 or change to the drive channel and this guitar packs an almighty punch. Mode 2: (volume knob pulled up) This is metal mode - the middle and lower selection on the toggle voices just the full humbucker, and by flicking the toggle between neck and middle positions enables a kill switch function. Great fun and no need for another button. Mode 3: (Tone knob pulled up) This is sweet mode. The 3 single coils behave as individual units - the middle position voices all 3 in parallel for the sweetest Strattiest tone possible; and the bridge position voices the Kent Armstrong in parallel configuration which retains a huge presence but increases the clarity and definition. Amps will break up less and you'll get a P-90 type of aggression but never losing the treble response. Mode 4: (both knobs pulled up) Country Clack. 2 tones to choose from here - the bridge single coil for a hot Tele bite, and the neck position provides a tone most associated with Gretches and Rickies. Some partial phase trickery is taking place as all 3 single coils are connected into series. It's very unusual and not found on any stock guitar we have ever heard (Parker Fly got close). Details The Look Roadworn and ready for more Headstock 1980s and 90s pointy headstock nirvana. Neck Skinny shredder with 43mm nut and 12" radious Pick-ups Kent Armstrong - covers all bases Bridge Gotoh 510 T in gold Controls Master Vol and Tone, both push pull for mode selection. Metal, ballad, Rock, Country Gallery ← Previous Next→












